So, here’s the thing. In December, I signed up to write all of AXS’s New Year’s concert previews. Not too long after I finished those, an editor asked me to take on all of AXS’s Valentine’s Day concert previews. Not too long after I finished those, I volunteered to help tackle some of the St. Patrick’s Day because I’m an idiot, I guess. I mean, I’ll probably change my attitude once I get paid–all the Valentine’s Day ones should hit, well, today, followed by St. Patrick’s Day next month–but what ended up happening every time was I had less writing time than I expected and ended up coming home from working full-time and spending entire evenings for days, in some cases over week, finishing the things. It wasn’t even that it was difficult work, it was just that some cities don’t have as much going on as others, so hunting down, say, five family-friendly St. Patrick’s Day events can take a long time.

I keep saying when I finish up that I’m taking a writing break for a week, but at this point, not even I believe me when I say that. I’m just grateful that the only possible holiday they could throw at me next is Earth Day, and I don’t think that’s a thing an event site cares enough about.

In the midst of all this, Terra started working at a crisis call center and wanted to spend one of her nights off seeing a movie, so I ditched an evening I should’ve spent writing to hang out with her and her new beau, this guy she’s been friends with for a little while that I always kind of thought had a thing for her. Well, with her husband turning into a colossal shit, one thing led to another, and bam, we go on double dates now.

Look, here’s the thing: it’s super easy to start comparing someone’s ex to their new significant other, and on top of that, hindsight is 20/20, as they say. I never had a problem with her husband–we actually got along pretty well–but this new guy, whose name is also Scott, just seems…so much better. He’s a good few years younger than us, meaning myself, Terra, and Paul, so there are some things that come along with that difference in age, but that’s been our only real complaint. He’s easier to talk to, he’s more friendly, he’s more compassionate, and so on. Her husband had this impatience and harshness to him, even pre-Navy, that this guy just doesn’t. He’s more fun to hang out with, and he seems to just be better for her, too.

So we met up in the South Hills. I made a pit stop to unload a stack of old magazines at Half Price Books and got like a whole two bucks for them, but hey, I’ll take it–better than the stack taking up much-needed space in my apartment, especially considering I never read almost all of them. I don’t even know how I got them, either, aside from Rolling Stone, which I know comes with certain Live Nation ticket orders. But I don’t know how I ended up with Better Housekeeping and Ebony. I have an unsubstantiated theory that it has to do with my FYE membership.

We grabbed a quick food-court dinner since car trouble had Scott and Terra running late. Now, I’ve never had to worry about a movie selling out pretty much ever, yet sure enough, when we went back to the theater, Split was sold out. After doing some Googling, we figured if we left fast, we could make it back to Washington for the next showing there, and we just barely made it–it was close to selling out, and we ended up not being able to sit together.

I guess the crowds were on to something. The reviews I read before going in were all positive, and honestly, I’ve really been rooting for M. Night Shyamalan to make a comeback. I really liked his early films–I’m even a rare fan of Lady in the Water, or at least I think it has more merit than people give it credit for–and after movies like The Village and The Happening, where the quality really started tanking, I felt he needed to take a break and get back to more basic storytelling that didn’t focus so much on a twist. I knew, and I think a lot of other fans and general moviegoers knew, too, that he was capable of much better, and I really hoped he’d come back with something good and not just kind of disappear. And I think he’s done it with Split. It has received some valid criticism, but it was entertaining to watch, appropriately disturbing, and just delivered a good trip to the movies. I was so happy for Shyamalan when I left that theater because he finally got one right. It’s got to feel good to have your movies go from being panned to get genuinely good reviews and ending up #1.

On another Shyamalan note, I also Netflixed the Avatar: The Last Airbender not too long before we went. Now, I hear that the problems with that movie have less to do with Shyamalan himself and more to do with the script and studio, which I totally believe, but that, too, was bad. It kind of stripped the show of everything that made it good and paired it with a whitewashed cast–with the exception of the villains, who were of course still brown, because Hollywood–and bad acting. The exception was Dev Patel. Good for you, Dev Patel.

 

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