For a music lover, I have a hard time getting excited about new stuff these days. I don’t know if it’s my eclectic taste or what, but it seems like it’s really difficult. It’s not that I don’t like a lot of what I hear, it’s just that I don’t love it. I’m rarely impressed or engaged enough to buy an album or song–or even put it on a playlist. Most of the big names right now? Don’t care for ’em. I just don’t find them interesting.

So when something does catch my attention, I get excited. It’s a nice change.

Enter The Struts.

So, after a long stretch of exclusively listening to my own music collection in the car, I was like, “Man, I’m so out of touch with the rest of the music world,” so I decided to prioritize radio for my driving–if nothing good is on, then I switch to a CD or my phone, and honestly, that rarely happens, which is kind of awesome. I almost certainly was listening to local alternative station The X when The Struts caught my ear. I don’t even know what song. But it was the kind of rock I’m drawn to, with electric guitars and a hook.

Said local alternative radio station announced their annual Kick Ass Christmas Show with The Struts as their headliner, and although I’d only really kind of dabbled in their music, I liked it enough that I wanted to go. And although my brother is often busy, when I mentioned it, he was in. And then when I shared the flyer on Facebook, his wife’s sister and her boyfriend were interested, too, and the great thing about general-admission tickets is that even though I already bought our tickets, they could get theirs and we could meet up no problem.

I kind of joked about this being a throwback show, because for starters, my brother and I haven’t hit a small-to-mid-size local show in a few years, easily, and it was something we did a lot in high school and college. And second, what that means is four bands on a bill, general admission, standing for a good few hours. Neither of us has done that in a while. A lot of what I’ve been going to lately has been in seated theaters or big stadium shows, so this really was like old times. Especially with four bands, because that’s starting to take up a chunk of time. Two is pretty common, three happens often enough, and then when you hit four, it’s starting to become a different beast. In the end, we were on our feet for about 5 1/2 hours, and the next day, Brandon sent a, “How does everyone feel? I’m exhausted,” message. But…worth it.

Because, see, The Struts put on a show.

The opening bands were all great, for starters, and I’m also a firm believer that way too many people are dismissive of opening acts, thinking of that time as a buffer for getting stuck in traffic or not having to wait in line to get in or to just keep tailgating. Some of the best new bands I’ve heard have been openers, and if you go to concerts even just on occasion, it’s one of the easiest ways to discover something new. I believe so strongly in this that I’d love to pitch a column to a music publication that solely reviews bands I’ve seen as openers. I could give you full lists.

I figured everyone would be good. It was just that kind of all-around vibe, where I could just tell it was gonna be high energy. But like…I didn’t expect the showmanship I got, I guess. From the second The Struts started, it was a fast-paced rock ‘n’ roll party, with the glam look and attitude that I’ve probably been wanting but didn’t know it. I haven’t seen a rock band with a male lead singer come out in glitter and makeup–and multiple wardrobe changes–in a long time, looking kind of like Freddie Mercury, and they won me over so hard like halfway into their first song. I was sold. I loved it. They were one of those acts that’s great recorded but even better live, where all the songs are enhanced and more fun, and that’s my favorite kind of show. (Related to that, the very first time I saw Fleetwood Mac, they played “Second Hand News” so wonderfully that the recorded version isn’t the same anymore.)

And they played a solid, long show. With a big-ish bill, Brandon and I kinda figured their set would be an hour, hour-and-a-half tops, but fuck no! Two hours. And it was great the whole time.

My favorite part, though? They did this stellar cover of “Dancing in the Dark” that had even security bobbing their heads, and about halfway through, the frontman announced he’d be bringing his very own Courteney Cox onstage. And I was a little concerned, to be honest, because rock music still has a sexism issue and stuff like that can delve into weird objectification territory. Now, I don’t know how this goes on a nightly basis, but for this show, his pick was this little girl in a homemade Struts shirt that was maybe 10 years old tops who was, so, so excited to be pulled onstage. She was adorable and her excitement was infectious. It was cool to watch this kid–who said she’d seen them six times!–get brought up to sing and dance with the band. The gimmick was that they’d get the crowd amped then have a dance-off center stage, and in the middle of that, she did this backflip and the crowd went fucking nuts. We all started chanting her name. It was impossible to watch her without a shit-eating grin on her behalf the whole time. She’s gonna remember that for the rest of her life.

I found out at the end that of our group, I was the only one who was seeing them for the first time. A couple years ago, Brandon and his sister-in-law Katie saw them at the same Christmas show except as one of the openers, and while he hadn’t seen them since, she was going for the third time and introduced them to her boyfriend, Gage, who was seeing them a second time. Brandon ended up sending us all a Snapchat of a list of tour dates with an Ohio tour stop this weekend, and honestly, if I wasn’t going out of town with my mom already, I’d be seriously considering it.

Needless to say, a great time was had by all, and we anxiously await their next Pittsburgh show.

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